Reverb & Echo, Every Setting: Presets, Decay, Echo and Tempo (Free, No Upload)
Every setting of the free Reverb & Echo tool on a dry phone voice note — and the line under every result that measures the tool's own output (0.80 s of decay asked, 0.80 s measured; 7 of 7 repeats found; the peak under a −1 dB ceiling). The presets (Podcast space, Vocal plate, Cathedral), decay and mix, the echo (70% feedback = 19 repeats), tempo sync — which refused to guess an ambiguous beat — the advanced panel and Trim. Then three jobs you can hear: a podcast voice, a music slapback and a cathedral voice. Nothing is uploaded.
Length: 4:34Published:
What you'll learn
The tool measures its own output
Presets: Podcast space, Vocal plate, Cathedral
Decay, mix, and the tail it adds
Echo: feedback 70% → 19 repeats
Tempo sync, and why it would not guess
Three jobs you can hear
In this video
Every setting of the free Reverb & Echo tool on a dry phone voice note — and the line under every result that measures the tool's own output (0.80 s of decay asked, 0.80 s measured; 7 of 7 repeats found; the peak under a −1 dB ceiling). The presets (Podcast space, Vocal plate, Cathedral), decay and mix, the echo (70% feedback = 19 repeats), tempo sync — which refused to guess an ambiguous beat — the advanced panel and Trim. Then three jobs you can hear: a podcast voice, a music slapback and a cathedral voice. Nothing is uploaded.
Reverb & Echo, every setting, on a voice note recorded on a phone: dry and close. Under every result the tool prints what it measured in its own output: the decay you asked for against the decay it produced, how many echo repeats it found, and the peak against the ceiling. Presets set everything at once — Podcast space (half a second, 10%, no echo), Vocal plate (1.6 s, four repeats) and Cathedral (6.5 s, adding nine seconds of tail). Decay is how long the room rings; mix is how much of it you hear. The echo has its own delay and feedback: at 70% there are 19 repeats. For music the delay can follow the tempo — and when the beat is ambiguous it asks you to tap it in rather than guess. Advanced holds pre-delay, tone, width, the tail (Ring out or Trim) and a clip guard. Free processes one file up to 50 MB at 44.1 kHz. Nothing is uploaded.
Full transcript
Every word spoken in the video, so you can read it, search it or skim it.
This is a voice note, straight off a phone. Dry and close — like it was recorded in a cupboard.
Reverb and echo, every setting: the presets, the room, decay and mix, the echo and its repeats, tempo sync, and the advanced panel — and which to use for what. Free, and nothing is uploaded.
Presets at the top. Then the space, the reverb, the delay and the echo, an advanced panel, and the output. The timeline draws what you asked for — the decay, and a tick for every repeat.
Asked 0.80 s · measured 0.80 s · 7/7 repeats
Podcast 0.5 s · Vocal plate 1.6 s · Cathedral 6.5 s
Decay 3 s · adds 4.9 s of tail
Feedback 70% · 19 repeats
Advanced holds the fine controls: pre-delay, tone, width, and the tail. Ring out lets the echo finish after your audio ends; Trim cuts the file at the original length. And the clip guard keeps the peaks under the ceiling.
Preview plays it before you export — an approximation. The download is the version that gets measured.
Podcast · 0.45 s decay · no repeats
For music, the delay can follow the tempo instead. Find tempo listens for the beat — and on this loop it will not guess: the tempo was ambiguous, so it asks you to tap it in. A wrong tempo would put every echo off the beat.
Music · Slapback room · 2 repeats at 110 ms
Cathedral · 6.5 s asked, 6.5 s measured
So: speech, Podcast space. Music, a slapback — or the delay on the tempo, once you know it. Drama, Cathedral. And if the file must end where it started, Trim.
Free: 1 file · 50 MB · 44.1 kHz · 192 kbps
None of it left the browser. This is its own record of everything it fetched while all of that ran — not one request carried the recording.
Free, no account, nothing uploaded. Bring your own recording — and I will see you in the next one.
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